Collections

In this series, crushed soda cans are transformed into colorful pixels in a pop explosion and joyful recycling. Assembled on the canvas like so many vibrant cells, they form playful mosaics that subvert the icons of soda culture.

This series is a vibrant patchwork where the New York street meets comics and Pop myths. Icons mingle and collide: Basquiat, Lichtenstein, Warhol, and Haring appear among vintage logos, "POW!" speech bubbles, and splashes of paint. Each canvas is a wall of posters recreated in the studio—crumpling, collage, dripping, and graffiti strokes included.

Here, I strip away the pop aesthetic to return to the raw materials: unfinished wood, bricks, crumpled newspapers, bitumen paint. The palette darkens—charcoal blacks, cement grays, earthy ochres—while the surface is enriched with dust, scratches, and objects salvaged from the rubble. Each canvas evokes a piece of industrial wall torn from the city, a silent witness to the clashes of daily life.

In this series, the word, through its repetition, becomes pictorial material. Fragments of writing overlap to transform language into raw emotion. Each canvas is like a page torn from a personal diary, where declarations of love, cries of freedom, and reminders of our own fragility jostle for space.